Profil David Belle
David Belle : (lahir 29 April 1973)David Belle : lahir dan dibesarkan di Fécamp, Perancis
David Belle : Dia turun dari keluarga sederhana di pinggiran kota Paris
Kakeknya Gilbert Kitten, ayahnya Raymond Belle, dan saudara Jeff Belle telah penyelamat sangat terampil dalam layanan api Prancis militer [1] [2]
Pada tahun 1988, pada usia 15, Belle meninggalkan sekolah dan pindah ke Lisses, Paris untuk memulai layanan nasional nya. Saat ini ia memperoleh Perancis nasionalnya sertifikat First Aid dan sertifikat UFOLEP kepemimpinan senam. Dia membuat teman dekat dengan sekelompok remaja dengan hasrat fisik yang sama, yang kemudian menjadi Yamakasi (Yann Hnautra, Frédéric Hnautra, David Balgogne, Sébastien Foucan dan Kazuma). Setelah bergabung dengan pemadam kebakaran dengan aspirasi berikut ayahnya dan jejak kakek, ia diberhentikan sementara karena cedera pergelangan tangan dan tidak kembali karena alasan pribadi.
Ia kemudian bergabung dengan laut kelompok-kelompok de di Vannes, di mana ia menerima promosi, sertifikat kelincahan senam kehormatan, dan catatan juara untuk resimen tali-memanjat (yang ayahnya pernah diadakan) dan rintangan Essonne. Namun Dia telah mengatakan bahwa rasa dan cinta untuk petualangan dan kebebasan tidak berjalan dengan baik dengan kehidupan ketat dari [3] militer.
Setelah menyelesaikan layanan nasional, ia bekerja di berbagai profesi termasuk pekerja gudang, penjaga keamanan dan penjual mebel. Dia kemudian terbang ke India dan memperoleh Black Belt di kung [rujukan?] Fu. Setelah kembali, ia mulai mempromosikan disiplin-nya dengan film cuplikan kemampuan nya. Pada tahun 1997 Tahap 2 tim (Francis Marroto, Pierre kereta luncur dan Pierre Salviac) diperlihatkan video dan memutuskan untuk membuat film tentang Belle dan Parkour, dalam serangkaian kolaborasi dengan, 'pria kecepatan udara' 'catmen', 'la Relève' dan 'Ies traceur'. 'Traceur' Kata sejak itu telah digunakan untuk menentukan seorang praktisi Parkour.
Sejak Usia 15 tahun, David Belle pindah ke Lisses. Pada waktu itu, dia bertemu dengan para remaja di sana yang tertarik dengan apa yang dilakukan oleh David.
If I didn’t do the movement right, my body would tell me right away. If you miss your jump, you hurt yourself; otherwise, you don’t feel anything. The most important thing to him was to repeat: "By doing the movements a dozen, a hundred times, trust comes and by doing the same movements over and over again, it becomes automatic."
I started with jumps that were likely to help me make progress, but without taking too much risks at first because I was aware of my mother waiting at home for her son who was training. That prevented me from doing crazy things and having an uncaring rebel teenage attitude like, "Well, if I hurt myself, I just don’t care!"
Some guys are really proud to break a bone and they like to brag about it. But truth is, it only shows a total lack of respect towards oneself and one’s body. What’s the point in being ready to destroy yourself just to show that you don’t care? Once you’re hurt, you can’t move forward anymore.
Those who don’t want to get a bit hurt, who don’t want to have scratched hands, shouldn’t come to Parkour.
When you add acrobatics, your attention is focused on the salto and you get rid of all the rest; everything Parkour is about, which is jumping, climbing, moving from point A to point B. Practicing Parkour isn’t about fun, with piercings everywhere, green or purple hair or nice shoes. It’s unnecessary. In Parkour, if the guy understands why he’s here, why he’s doing these movements, that’s great. If he learns to cross obstacles without hurting himself, that’s what really matters. Then, if he puts style into it, putting his little finger in the air like that, who cares? If a guy feels good when he jumps, if his landing is good, then he got it.
After watching some participants, I realized after a while that they didn’t do the things I was looking for in Parkour anymore, they didn’t have the same mindset anymore. During some trainings, public shows or movies, it was going downhill, it was baloney. Some brought a fun side to it, a freestyle spirit. Sure, it looks good and spectators love it but with saltos and other nice figures, the movements are not the same anymore. It turns into a show and that’s not what Parkour is about. I’m not saying I didn’t do acrobatics myself – I did – but it was after training, after the Parkour, just for fun, to relax and unwind. It was a way to chill out, like a soccer player who is going to do a somersault after scoring. When I was training with some friends, they sometimes put all their energy working on something freestyle - everything the young liked at the time – but I personally thought it was useless. I didn’t want to waste my time working on a salto like this or that because I knew in a real life situation, I wouldn’t have time to do it. When I did acrobatics, I was actually training in depth. It looked like I was having fun doing it but truth was I did it for a specific reason: I was working on the basics, I was improving my perception of space and distances.
We should be motivated by the love of sports, not challenge or competition. I have to admit that it was also a mistake to put some acrobatics in my first videos but when I did those demos, it was to ignite a spark and have the young start thinking, "Hey, I don’t know why he’s doing it but he makes me want to put my sneakers on, go outside and move!"
The first thing is to figure out why the kid came to see me, why he wants to learn Parkour. I try to find his real motivation, what made him want to move. If he only wants to do saltos and spins, then I tell him to do gymnastics or freerun – everything but Parkour. If he wants to do videos or movies, I send him straight back home. When I teach Parkour to a young, I don’t want to know what he’s going to do with it. He can become an actor, an acrobat, any artistic job, or become a fire fighter or a rescuer, never mind. I don’t want to know.
The principle of Parkour is to know what you are capable of, to gain self-confidence and not to compete with others. To me, in this sport, there are only people who start from scratch, who fight and learn so much along the way, who will be able to understand every step, every link in the chain of Parkour.
If you get into filming or photography, you already alter the spirit of Parkour. It means you jump to show off and brag; it’s more about yourself. At first, I didn’t want any photos or video. I just wanted to train for the sake of training and not jump because someone was watching or asking me. I may have triggered the whole thing by showing what I was doing at first but I didn’t want that. I made videos for producers and advertising agencies to give them ideas and have them want to work with me. But those videos ended up on the net; and it wasn’t my idea. There was a time when you typed David Belle on a search engine and nothing showed up. Nowadays, everything is out there. It doesn’t interest me. Parkour is not on the net; it takes place outdoors. Once again, you have to be real, not bluffing.
With Parkour, one shouldn’t feel invincible either…
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